Synthesis And Growth Of Mixed Culture. Purdah. Kabir. Guru Nanak. Amir Khusrau
It is thus wrong and misleading to talk of a Muslim invasion of India or of the Muslim period in India, just as it would be wrong to refer to the coming of the British to India as a Christian invasion, or to call the British period in India a Christian period. Islam did not invade India; it had come to India some centuries earlier. There was a Turkish invasion (Mahmud’s), and an Afghan invasion, and then a Turco-Mongol or Mughal invasion, and of these the two latter were important. The Afghans might well be considered a border Indian group, hardly strangers to India, and the period of their political dominance should be called the Indo-Afghan period. The Mughals were outsiders and strangers to India and yet they fitted into the Indian structure with remarkable speed and began the Indo-Mughal period.
Through choice or circumstances or both, the Afghan rulers and those who had come with them, merged into India. Their dynasties became completely Indianized with their roots in India, looking upon India as their homeland, and the rest of the word as foreign. In spite of political conflict, they were generally considered as such and many even of the Rajput princes accepted them as their over-lords. But there were other Rajput chiefs who refused to submit and there were fierce conflicts. Feroze Shah, one of the well-known Sultans of Delhi, had a Hindu mother; so had Ghyas-ud-Din Tughlak. Such marriages between the Afghans, Turkish, and the Hindu nobility were not frequent, but they did take place. In the south the Muslim ruler of Gulbarga married a Hindu princess of Vijayanagar with great pomp and ceremony.
It appears that in the Muslim countries of central and western Asia Indians had a good reputation. As early as the eleventh century, that is, before the Afghan conquest, a Muslim geographer, Idrisi, wrote: ‘The Indians are naturally inclined to justice, and never depart from it in their actions. Their good faith, honesty, and fidelity to their engagements are well-known, and they are so famous for these qualities that people flock to their country from every side.’
An efficient administration grew up and communications were especially improved, chiefly for military reasons. Government was more centralized now though it took care not to interfere with local customs. Sher Shah (who intervened during the early Mughal period) was the ablest among the Afghan rulers. He laid the foundations of a revenue system which was later to be expanded by Akbar. Raja Todar Mai, Akbar’s famous revenue minister, was first employed by Sher Shah. Hindu talent was increasingly used by the Afghan rulers.
The effect of the Afghan conquest on India and Hinduism was two-fold, each development contradicting the other. The immediate reaction was an exodus of people to the south, away from the areas under Afghan rule. Those who remained became more rigid and exclusive, retired into their shells, and tried to protect themselves from foreign ways and influences by hardening the caste system. On the other hand, there was a gradual and hardly conscious approach towards these foreign ways both in thought and life. A synthesis worked itself out: new styles of architecture arose; food and clothing changed; and life was affected and varied in many other ways. This synthesis was especially marked in music, which, following its old Indian classical pattern, developed in many directions. The Pesrian language became the official court language and many Persian words crept into popular use. At the same time the popular languages were developed.
Among the unfortunate developments that took place in India was the growth of purdah or the seclusion of women. Why this should have been so is not clear but somehow it did result from the interaction of the new elements on the old. In India there had been previously some segregation of the sexes among the aristocracy, as in many other countries and notably in ancient Greece. Some such segregation existed in ancient Iran also and to some extent all over western Asia. But nowhere was there any strict seclusion of women. Probably this started in the Byzantine court circles where eunuchs were employed to guard the women’s apartments. Byzantine influence travelled to Russia where there was a fairly strict seclusion of women right up to Peter the Great’s time. This had nothing to do with the Tartars who, it is well established, did not segregate their women-folk. The mixed Arab-Persian civilization was affected in many ways by Byzantine customs and possibly the segregation of upper-class women grew to some extent. Yet, even so, there was no strict seclusion of women in Arabia or in other parts of western or central Asia. The Afghans, who crowded into northern India after the capture of Delhi, had no strict purdah. Turkish and Afghan princesses and ladies of the court often went riding, hunting, and paying visits. It is an old Islamic custom, still to be observed, that women must keep their laces unveiled during the Haj pilgrimage to Mecca. Purdah seems to have grown in India during Mughal times, when it became a mark of status and prestige among both Hindus and Muslims. This custom of seclusion of women spread especially among the upper classes of those areas where Muslim influence had been most marked—in the great central and eastern block comprising Delhi, the United Provinces, Rajputana, Bihar, and Bengal. And yet it is odd that purdah has not been very strict in the Punjab and in the Frontier Province, which are predominantly Muslim. In the south and west of India there has been no such seclusion of women, except to some extent among the Muslims.
I have no doubt at all that among the causes of India’s decay in recent centuries, purdah, or the seclusion of women, holds an important place. I am even more convinced that the complete ending of this barbarous custom is essential before India can have a progressive social life. That it injures women is obvious enough, but the injury to man, to the growing child who has to spend much of its time among women in purdah, and to social life generally is equally great. Fortunately this evil practice is fast disappearing among the Hindus, more slowly among the Muslims.
The strongest factor in this liquidation of purdah has been the Congress political and social movements which have drawn tens of thousands of middle-class women into some kind of public activity. Gandhiji has been, and is, a fierce opponent of purdah and has called it a ‘vicious and brutal custom’ which has kept women backward and undeveloped. ‘I thought of the wrong being done by men to the women of India by clinging to a barbarous custom which, whatever use it might have had when it was first introduced, had now become totally useless and was doing incalculable harm to the country.’ Gandhiji urged that woman should have the “same’ liberty and opportunity of self-development as man. ‘Good sense must govern the relations between the two sexes. There should be no barrier erected between them. Their mutual behaviour should be natural and spontaneous.’ Gandhiji has indeed written and spoken with passion in favour of women’s equality and freedom, and has bitterly condemned their domestic slavery.
I have digressed and made a sudden jump to modern times, and must go back to the medieval period after the Afghans had established themselves in Delhi and a synthesis was working itself out between old ways and new. Most of these changes took place at the top, among the nobility and upper classes, and did not affect the mass of the population, especially the rural masses. They originated in court circles and spread in the cities and urban areas. Thus began a process which was to continue for several centuries, of developing a mixed culture in north India. Delhi, and what are known now as the United Provinces, became the centre of this, just as they had been, and still continued to be, the centre of the old Aryan culture. But much of this Aryan culture drifted to the south, which became a stronghold of Hindu orthodoxy.
After the Delhi Sultanate had weakened owing to Timur’s incursion, a small Muslim state grew up in Jaunpur (in the United Provinces). Right through the fifteenth century this was a centre of art and culture and toleration in religion. The growing popular language, Hindi, was encouraged, and an attempt was even made to bring about a synthesis between the religious faiths of the Hindus and the Muslims. About this time in far Kashmir in the north an independent Muslim King, Zainulabdin, also became famous for his toleration and his encouragement of Sanskrit learning and the old culture.
All over India this new ferment was working and new ideas were troubling people’s minds. As of old, India was sub-consciously reacting to the new situation, trying to absorb the foreign element and herself changing somewhat in the process. Out of this ferment arose new types of reformers who deliberately preached this synthesis and often condemned or ignored the caste system. There was the Hindu Ramanand in the south, in the fifteenth century, and his still more famous disciple Kabir, a Muslim weaver of Benares. Kabir’s poems and songs became, and still are, very popular. In the north there was Guru Nanak, who is considered the founder of Sikhism. The influence of these reformers went far beyond the limits of the particular sects that grew up after them. Hinduism as a whole felt the impact of the new ideas, and Islam in India also became somewhat different from what it was elsewhere. The fierce monotheism of Islam influenced Hinduism and the vague pantheistic attitude of the Hindu had its effect on the Indian Muslim. Most of these Indian Muslims were converts bred up in and surrounded by the old traditions; only a comparatively small number of them had come from outside. Muslim mysticism, and Sufism, which probably had it beginnings in neo-Platonism, grew.
Perhaps the most significant indication of the growing absorption of the foreign element in India was its use of the popular language of the country, even though Persian continued to be the court language. There are many notable books written by the early Muslims in Hindi. The most famous of these writers was Amir Khusrau, a Turk whose family had settled in the United Provinces for two or three generations and who lived in the fourteenth century during the reigns of several Afghan Sultans. He was a poet of the first rank in Persian, and he knew Sanskrit also. He was a great musician and introduced many innovations in Indian music. He is also said to have invented the sitar, the popular stringed instrument of India. He wrote on many subjects and, in particular, in praise of India, enumerating the various things in which India excelled. Among these were religion, philosophy, logic, language, and grammar (Sanskrit), music, mathematics, science and the mango fruit!
But his fame in India rests, above all, on his popular songs, written in the ordinary spoken dialect of Hindi. Wisely he did not choose the literary medium which would have been understood by a small coterie only; he went to the villager not only for his language but for his customs and ways of living. He sang of the different seasons and each season, according to the old classical style of India, had its own appropriate tune and words; he sang of life in its various phases, of the coming of the bride, of separation from the beloved, of the rains when life springs anew from the parched earth. Those songs are still widely sung and may be heard in any village or town in northern or central India. Especially when the rainy season begins and in every village big swings are hung from the branches of the mango or the peepul trees, and all the village girls and boys gather together to celebrate the occasion.
Amir Khusrau was the author also of innumerable riddles and conundrums which are very popular with children as well as grown-ups. Even during his long life Khusrau’s songs and riddles had made him famous. That reputation has continued and grown. I do not know if there is any other instance anywhere of songs written 600 years go maintaining their popularity and their mass appeal and being still sung without any change of words.
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